Tatlong Taong Walang Diyos

tatlong taong walang diyos (three years without god) The film, set during the Japanese Occupation of the Philippines between 1942 and 1944, tells the business relationship of Rosario (Nora Aunor), a young schoolteacher engaged to be married to Crispin (Bembol Roco). Crispin leaves Rosario to raise up the Japanese as a guerilla, and in his absence a Japanese-Filipino officer named Masugi (Christopher de Leon) rapes her.Masugi later returns to Rosario apologizing for his act, bearing gifts of canned food and rice which Rosario at premier(prenominal) refuses. Matters are complicated when Rosarios cause Mang Andoy (Mario Escudero) is arrested by the Japanese and Rosario reveals to Masugi that she is pregnant. Rosario must practise a choice accept Masugis proposal to set out her his wife (saving her father and ensuring a safe and stable life for her child), or reject him and with him the bilk they have conceived together. n the form of a blind man twinkle a candle for himself and his palsied brother. The blind man carefully picks up the child, and makes his way out the church just when a procession, complete with hundreds of candles and intemperately costumed wooden saints, marches in. The symbolism is somewhat obvious authorized faith walks lightly out the door, while pomp and pageantry make a grand, meaningless entrance.But the entire wordless scene is so quietly understated, so beautifully shot and stageda perfect utilization of the purest cinemathat it literally takes your breath away. Yes, Crispin, there is a God solitary(prenominal) he could have inspired OHara to shoot a scene deal that. ipinapakita ng gumawa ng pelikulang ito kung gaano kahina ang mga pilipino sa panahon ng kahirapan at pag papahirap ng mga dayuhan sa ating bansa. sinasabi ng pelikulang ito na dapat maniwala lalo tayo sa diyos upang tayoy matulungan niya sa panahong tayo ay nahihirapan.