Much Ado About Nothing Essay

In the play, Much Ado About Nothing, by William Shakespeare, Shakespeare introduces the fictional character Claudio. Count Claudio is characterized as a gullible, naive and immature. Throughout the play, Claudio is placed in situations which die his level of maturity. By the end of the play, he is still a carefree, foolish boy who has non come to terms with his own faults-such as almost ruining Heros reputation. From the beginning to the end of the play, Claudio exhibits childlike behavior, which does not change.Through his depiction of Claudios interaction with Hero, Leonato and benedict, Shakespeare criticizes that in reality, take down for people as naive as Claudio, people get what they pauperization because of their situation. In the beginning of the play, come in John and Barachio tell Claudio that Hero is creation wooed by bust Pedro, and his immediate reaction is to believe that it is true. As break Pedro agrees to woo Hero for Claudio, it seems to Claudio that Don Pedro is pleading for himself. The Prince woos for himself, he says (2. 1, 172). For Claudio, friendship is aeonian in all other things save in office and affairs of love (2. 1, 173-174).The nature of all is fair in love and state of war should warn the reader that Claudio thinks with an sometime(a) nature about male contestation for wo custody. The misunderstanding is in brief forgotten when Don Pedro assures Claudio that he was truly suit of clothes Hero for Claudio and not for himself. Claudio takes Hero dorsum and says, lady you are mine, I am yours (2. 1, 301-303). Claudio easily forgives and forgets and makes himself look foolish by taking her back so quickly. His immaturity is revealed by the speed of forgiveness. Shakespeare mocks reality in a sense that stock-still though he acts like a child, a woman like Hero will still love him.However, Claudio does not learn from his rash judgework forcet of Don Pedro. When Don John subsequent accuses Hero for sleeping with an other(prenominal) man, Claudio is again quick to think that cudgel of Hero. Claudio tells Leonato that Hero is a rotten orange (4. 1, 32). By referring to Hero as a piece of rotten fruit, Claudio implies that what was once sweet and pure is direct spoiled and lustful. Just as Eve was tempted by fruit in the Garden of Eden that turned out to be evil, Claudio was first off attracted and wherefore forced away by the crude Hero. After slandering his daughter, Leonato is more evoke at Hero than at Claudio. tear down after beingness so idiotic and stupid, Claudio wins the woman of his dreams a woman who he scolds and takes him back. At first and before considering other possibilities, Leonato seams to point his finger at Hero for being the one who ruin everything not Claudio. Considering what happens, it can be inferred that Shakespeare is mocking the bringing close together that men with a emplacement such as Claudio get what they want, even if they make a big mistake such as sn iffy and ruining a girls life. Claudio not only slanders Hero, just now Leonato, too.To Leonatos face, Claudio makes a big show of think ofing his age, but its unaccented from this comment that Claudio does not understand what it means to have great lever for someone. Claudio says, We had like to have had out two noses snapped off with two old men without teeth (5. 1, 128-129). Age doesnt seem to command respect for Claudio he approaches it more as a weakness than a lawsuit for reverence, which is immature of him. Its another strike against Claudios character, and Shakespeare does this to portray that even when he shows slackness to someone of high standards, he still gets what he wants in the end.After Claudio slanders Hero, he joins the conversation between Leonato and Leonatos brother. Claudio today insults Leonato by fleering and jesting at him (5. 1, 65). Though Claudio claims that he never lays his hand upon his sword, Leonato claims that he is under privilege of age to brag (5. 1, 60 67). By stretchability for his sword, Claudio is attempting to intimidate and undermine Leonato to reveal that he is more powerful and a reform man than Leonato. However, Leonato knows that it is not true, and he tells Claudio to stop being a fool.The undercut actions of Claudio towards Leonato is a direct way in which Shakespeare reveals his immaturity and disrespect towards his elders. Even though he is disrespectful and cruel to twain Leonato and Hero, Leonato allows Claudio to espouse his daughter. Claudios events with Benedick are also a way in which Shakespeare depicts Claudio to be an immature boy. When Benedick challenges Claudio, he thinks that it is a joke. Benedick tells Claudio that he wants to fight him in a dull, and says to Don Pedro that he should give Benedick another staff because the last one was broke cross (5. 1, 151-152).Claudio makes fun of Benedick for looking so angry and for seemingly having lost his ability to wittily reply to his jests . The immaturity among the men by Claudio is to insult the ways of men, and how status is the only thing that matters because, in the end, Claudio gets Beatrice for himself. Benedick finally thanks Don Pedro and informs him that Don John has fled Messina. He then turns to Claudio and tells him they will meet soon to fight. Don Pedro states that Benedick is in earnest about his challenge (5. 1, 206).Claudio sardonically replies that it is for the love of Beatrice (5. , 208). Even after having someone as highly be as Don Pedro telling him that Benedick is serious about the dull, and that Don John is responsible for Heros death, Claudio makes a sarcastic remark back claiming that he is only fighting for Beatrice and does not think to parent what Benedick says about Don John. His inconsiderate remarks and vagueness of his awareness are both ways of Shakespeare mocking men. The childish antics in Shakespearean times is caused by the young age that men and women are forced to be hook up with at. Claudio, at this point, still has not grown up.Shakespeare uses Claudio to mock that in reality, because of his status and the fact that he is a male, he gets is allowed to marry Hero, without any opposition of Benedick. Throughout the play, Claudio makes immature mistakes that are used to criticize that in reality, men as stupid as Claudio still get what they want found on status. In life, men tend to have a mitigate status than most women because people base status on sex. Claudio had better treatment than Hero throughout the play with both Leonato and Don Pedro, Prince of Argon.In the end, none of his events with Hero, Benedick, or Leonato come out. The three people also conciliate to leave him alone without another confrontation. Today, men and women get married at a later age, when they are mature enough to be married. Even so, status definitely plays a major role in nightspot today in a sense that the higher a mortals status, the more likely they will get wh at they want. That is what Shakespeare is trying to reveal that in reality, even as long ago as his time, men and women get what they want based on their status in the world.